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There Is No Place for Us book cover

There Is No Place for Us

by Brian Goldstone

Non-Fiction
Politics
History
420 Pages

"There Is No Place for Us is the most important book I've read about American cities in years. Goldstone puts faces and names to a crisis most people drive past every day without understanding."

Synopsis

In America's booming cities, skyrocketing rents, stagnant wages, and the near-total absence of tenant protections have produced a startling and largely invisible crisis: working people with full-time jobs who cannot keep a roof over their heads. In There Is No Place for Us, journalist Brian Goldstone follows five Atlanta families navigating this paradox in a city celebrated for its growth and opportunity. Maurice and Natalia arrive from DC looking for a fresh start. Kara mops floors at a public hospital while dreaming of launching her own cleaning business. Britt secures a coveted housing voucher. Michelle is enrolled in school to become a social worker. Celeste works warehouse shifts while undergoing treatment for ovarian cancer. Each of them is working. Each of them is trying. And one by one, each of them loses their housing anyway — sleeping in cars, or in the squalid rooms of extended-stay hotels, before heading out to jobs and schools the next morning. Through intimate, novelistic reporting, Goldstone reveals the hidden homeless: families omitted from official statistics, proof that visible encampments and overflowing shelters represent only a fraction of the true crisis. Urgent, heartbreaking, and meticulously reported, this is a landmark work of American journalism.

Our Take

The phrase "working homeless" shouldn't be possible in a country that treats employment as the primary measure of a person's worth — and that tension is exactly what Brian Goldstone exploits to devastating effect. There Is No Place for Us operates in the tradition of Matthew Desmond's Evicted: deeply embedded, novelistically rendered journalism that refuses to let systemic forces remain abstract. Goldstone spends years with his five families, and the result is the kind of intimacy that makes structural argument feel personal and inescapable. Atlanta is a shrewd choice of setting — a city marketed as the Black Mecca, a place of mobility and reinvention, where the gap between the myth and the material reality is especially stark. The book's central argument is blunt and well-supported: the housing crisis is not a failure of the economy but a consequence of its success, and it will not be solved by individual effort or market correction. Readers who were shaken by Evicted or Barbara Ehrenreich's Nickel and Dimed will find this essential and enraging in equal measure. And for anyone who wants to understand what American cities are actually doing to the people living in them right now, this is required reading — rigorous, humane, and impossible to dismiss.

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