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We Do Not Part book cover

We Do Not Part

by Han Kang

Literary Fiction
Historical Fiction
256 Pages

"A visionary novel about history, trauma, art and its tremendous costs. Han Kang is one of the most powerfully gifted writers in the world." -- Katie Kitamura

Synopsis

One winter morning in Seoul, Kyungha receives an urgent message from her friend Inseon: she has been hospitalized after an accident and begs Kyungha to travel to Jeju Island, where she lives, to save her beloved pet bird before it starves. It is an outrageous request. Kyungha goes anyway. A snowstorm hits the island the moment she arrives. Beset by icy wind and squalls in the falling dark, she wonders whether she will reach the house in time -- or survive the cold at all. When she finally does arrive, a power cut plunges her into darkness. And it is there, in Inseon's house, that the real journey begins: a vertiginous descent into memory, dream, and the buried history of Jeju Island itself, where tens of thousands of lives were lost in a massacre that the Korean state suppressed for decades. We Do Not Part is the most recent novel from Han Kang, winner of the 2024 Nobel Prize in Literature. Translated into English by e. yaewon and Paige Aniyah Morris, it was published in January 2025 to immediate critical acclaim -- winning the National Book Critics Circle Award in Fiction and named a best book of the year by The New Yorker, Time, The Economist, The Guardian, and many others. Han considers it a companion to her earlier novel Human Acts.

Our Take

Han Kang has spent her career asking the same essential question from different angles: how do we live alongside history's violence, and what do we owe the dead? We Do Not Part is her most recent and, many argue, most fully realized attempt at an answer. Where Human Acts confronted the Gwangju Uprising with almost unbearable directness, this novel approaches its subject -- the Jeju massacre of 1948, in which tens of thousands were killed by South Korean security forces -- obliquely, through dream, snow, and the slow uncovering of one family's buried story. The result is a book that operates on multiple registers simultaneously: thriller in its opening movement, as Kyungha battles the blizzard toward the house; elegy in its middle section, as history surfaces through memory and hallucination; and something closer to prayer by its end. Han's prose, even in translation, carries an extraordinary delicacy. The translators e. yaewon and Paige Aniyah Morris have done remarkable work preserving the texture of writing that, as the Nobel committee noted, confronts historical traumas while exposing the fragility of human life. At 256 pages it is short but not small. Readers who were devastated by Human Acts will find this essential, and those coming to Han Kang for the first time will understand immediately why the Nobel committee chose her. One of the most important novels of 2025.

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