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Tomorrow, and Tomorrow, and Tomorrow

Tomorrow, and Tomorrow, and Tomorrow book cover

Tomorrow, and Tomorrow, and Tomorrow

by Gabrielle Zevin

Literary Fiction
Contemporary Fiction
416 pages

"I didn't expect a novel about video games to wreck me emotionally, but Tomorrow, and Tomorrow, and Tomorrow made me think about friendship and ambition in a whole new way."

Synopsis

Sam and Sadie meet as kids in a hospital game room and form a bond that will define both their lives. Years later, a chance reunion on a train platform reignites their connection, and together they begin designing video games, building a world where death can be undone and failure is just a restart away. Their partnership becomes a decades spanning collaboration full of creative triumph, professional jealousy, and a love that defies easy categories like friendship or romance. As their studio grows and their games find real success, the two must navigate ego, tragedy, and the ways people change when ambition and intimacy get tangled together. Tomorrow, and Tomorrow, and Tomorrow follows them from California to Massachusetts to the virtual worlds they build between, asking what it costs to create something lasting with another person, and whether any partnership can survive being everything to someone. It's a novel about play, pain, and the strange permanence of the things we make.

Our Take

What makes Tomorrow, and Tomorrow, and Tomorrow special is how it treats friendship with the same gravity most novels reserve for romance. Sam and Sadie's partnership, built and broken and rebuilt across decades of game design, becomes a lens for talking about creativity, disability, grief, and what it means to make something together without ever quite being able to say what you mean to each other. Zevin writes with an obvious love for gaming as an art form, but you don't need to know anything about consoles or code to feel the pull of these characters. If you loved the sprawling, time hopping intimacy of A Little Life or the collaborative creative tension in The Interestings, this will hit familiar notes, though Zevin's tone is warmer and less punishing. There's also a kinship with Station Eleven in how it treats art as a way of surviving loss. It's ambitious in structure but never shows off, and it earns its emotional weight scene by scene rather than demanding it upfront. A book about makers, made with real craft.

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