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The Lost Story

The Lost Story book cover

The Lost Story

by Meg Shaffer

Fantasy
Contemporary
384 pages

"I went in expecting a fun fantasy and came out crying over found family and lost time. The Lost Story is so much more tender than I expected."

Synopsis

Fifteen years ago, two boys vanished into the woods behind their Georgia town and reappeared six months later with no memory of where they'd been, no explanation, and a bond neither could quite name. Now Jeremy Cox is a survivalist YouTuber and Rafe Howell is a celebrated painter, each still shaped by whatever happened to them in those missing months. When a young girl goes missing under eerily similar circumstances, Jeremy and Rafe are pulled back together and forced to confront the truth of their childhood disappearance, one that may be tied to a magical world neither man has let himself believe in. The Lost Story blends the wonder of portal fantasy with the ache of adult friendship and unresolved grief, asking what we owe the people who loved us before we knew what we'd lost. As old wounds resurface and the boundary between worlds thins, Jeremy and Rafe must decide how far they're willing to go to save someone else from the same fate.

Our Take

Meg Shaffer built her reputation on The Wishing Game, and here she deepens her signature move: taking the machinery of children's fantasy and pointing it at grown men who never got to properly grieve their childhoods. The setup borrows openly from Peter Pan and Narnia-style portal mythology, but Shaffer's real interest is in the after, what happens to the kids who came back different, and were never quite believed or understood. Readers of Erin Morgenstern's The Night Circus or V.E. Schwab's more tender fantasy work will recognize the impulse to smuggle real emotional stakes inside a magical premise, though Shaffer's prose stays warmer and more grounded than either. What elevates The Lost Story beyond a nostalgia trip is its clear-eyed handling of trauma and masculinity. Jeremy and Rafe love each other in a way the book takes seriously without ever being saccharine about it, and their fractured adult lives feel like plausible consequences rather than plot convenience. The mystery-girl thread gives the book urgency without overwhelming its central relationship. This is a great pick for readers who loved the emotional generosity of The Midnight Library by Matt Haig or the wounded found-family dynamics in Piranesi by Susanna Clarke, but want something a little more accessible and hopeful. Fans of grown-up fairy tales with real heart will find plenty to love here.

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