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The Vet's Daughter book cover

The Vet's Daughter

by Barbara Comyns

Literary Fiction
Gothic
Psychological
152 Pages

"Comyns observes the most fantastic and ominous occurrences with childlike simplicity, creating a narrative that feels like a cross between a dark fairy tale and a deeply unsettling psychological study."

Synopsis

In a sinister Edwardian London suburb, shy seventeen-year-old Alice Rowlands lives under the shadow of her veterinarian father, a man consumed by private fury who rules their home with brutality and contempt. Her bedridden mother provides little protection, and when she dies, Alice's world darkens further as her father brings home Rosa Fisher, a crass and needling woman who attempts to remake Alice in her own vulgar image. As the household descends into deeper dysfunction, Alice retreats into a world of dreams and fantasies, finding solace in her memories and her longing for Nicholas, a handsome young sailor who represents everything her bleak existence lacks. But within this escape, Alice discovers something extraordinary and terrifying: she possesses an uncanny power that defies the laws of nature. What begins as a means of mental survival becomes something far more dangerous, leading to a climactic scene on Clapham Common that is both triumphant and devastating.

Our Take

Barbara Comyns crafts something truly singular in The Vet's Daughter: a novel that marries shocking domestic realism with elements of magical realism and gothic horror. Originally published in 1959 and rediscovered by NYRB Classics, this slender but powerful book tells its harrowing story through Alice's matter-of-fact narration, creating an unsettling contrast between her innocent voice and the horrors she endures. Comyns' prose is deceptively simple, employing what Graham Greene praised as an "innocent eye" that observes terrible things with childlike directness, making the violence and exploitation all the more disturbing. The novel's exploration of domestic abuse, female powerlessness, and trauma-induced dissociation feels startlingly modern, while its visionary elements give Alice's story a mythic, almost fairy-tale quality. Readers who appreciate the Southern Gothic darkness of Flannery O'Connor, the psychological intensity of Shirley Jackson's We Have Always Lived in the Castle, or the surreal domestic nightmares in Carmen Maria Machado's work will find much to admire here. This is a neglected masterpiece that deserves its growing cult following—a brief but unforgettable exploration of how the oppressed find power, however dangerous that power may prove.

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